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Sunday, December 13, 2015

Ebook Download Pyramind Recording Method, Vol 1: Signal Flow (Book & DVD) (Pyramind Training Series)

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Pyramind Recording Method, Vol 1: Signal Flow (Book & DVD) (Pyramind Training Series)

Pyramind Recording Method, Vol 1: Signal Flow (Book & DVD) (Pyramind Training Series)


Pyramind Recording Method, Vol 1: Signal Flow (Book & DVD) (Pyramind Training Series)


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You can quickly finish them to check out the page and afterwards enjoy obtaining the book. Having the soft file of this publication is also good enough. By this way, you might not have to bring guide everywhere. You could save in some compatible gadgets. When you have actually chosen to start reading Pyramind Recording Method, Vol 1: Signal Flow (Book & DVD) (Pyramind Training Series) once again, you can begin it anywhere and every time as quickly as well done.

Pyramind Recording Method, Vol 1: Signal Flow (Book & DVD) (Pyramind Training Series)

Product details

Series: Pyramind Training Series

Paperback: 248 pages

Publisher: Alfred Music; Pap/Com/Dv edition (February 20, 2011)

Language: English

ISBN-10: 0739066471

ISBN-13: 978-0739066478

Product Dimensions:

8.8 x 0.8 x 11.2 inches

Shipping Weight: 2.2 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#888,228 in Books (See Top 100 in Books)

I have about 15 years of home project recording experience, and there are new developments all the time. These can be hard to prioritize and track, as a lay person reading blogs on the fly. Plus, I had picked up incomplete info along the way.This book clarifies the essentials of sound processing, and makes them accessible to people with various levels of experience. The companion DVD illustrates many of the concepts in the book as well. I now have a more solid foundation on which to base key decisions - how do I best use the recording equipment I have, what new gear will I need, what is the best way to link components, and how can I create the best sounds using the technology at my disposal?I feel much more confident about building out my home studio over time, in light of current and future projects. This is a solid resource - highly recommended!

One of three, in a great series of books written by Pyramind.

I purchased this book for use in the class "Producing in the Home Studio I" atFoothill College (Los Altos, CA). The instructor of that class is the book'sauthor (apparently: no author attribution is explicit, though there areacknowledgements in the book signed by the course author). You might thinkthat this would, therefore, be a good book for that or related purposes.Think again.The book is full of factual errors, poor editing, incorrect diagrams, etc. Anerrata would be very long. The book is nicely printed, but the text takes uponly about 1/2 the width of the average page, a substantial waste.If you must use this book, it is not _all_ bad ... but separating what's rightand what's wrong is what prompts this review: So much is wrong, that, as Iread material new to me, I had to wonder: is this also incorrect? Being curious,I looked up information new to me on wikipedia and other seemingly reputableweb sites (with grains of salt: caveat emptor!) and found that the book wassometimes incorrect there too.

Just what I needed. Exceptional Quality Materials made for the beginner to the Advanced Professional. Geared towards understanding and making your home set up a snap! *****

I am working on a degree in Music Technology at my local community college (Foothill College) and pretty much have all my core classes completed. At the start of this last semester i was looking for a class that would fit my schedule and apply to my degree. I came across a course titled "PRODUCING IN HOME STUDIO I". While the syllabus made it look like it would be pretty much a review, it would apply to my degree.so i signed up.......My first surprise was that the Chief Academic Officer of Pyramind (a well regarded private Music Technology school) was teaching a community college class, and i had to laugh when i found he was selling his own book (the subject of this review) as the required textbook!Well i am here to tell you it turned out to be probably the best online class i have taken (and the book was the reason why). The book was fun (and sometimes even funny) to read. It contained a good amount of technical and historical detail but was still an easy read. A really great balance of material.The video and audio files were good as well. I specifically enjoyed the microphone related content. The DSP content didn't hold my interest as well, and the DVD interface could use a bit of an upgrade.Key concepts and processes that were touched on in other classes but were still unclear just seemed to be explained in a more understandable way, it really made sense to me.I recommend this Book!

I found this to be a great book. The info is easy to understand and really helpful. I read the bad review about this book and don't understand that statement. The reviewer states the book contains factual errors but I've not seen anything but great knowledge and solid facts.The concepts in the book have helped me to learn recording techniques and have a basic foundation to build from. The dvd included actually demos some of the ideas as to make it easier to understand. I can place mics now with a better understanding of what I'm doing and the way sound changes. It's like a recording class in a book!

I'd been struggling for years to learn how to really get right sound. There were many books out there, but it wasn't really get close to my brain. I'm not sure what it is, but even though same concepts and same explanation, I feel more comfortable reading this book rather than others. It's like a "I kind of know it" to "know it" moment. Thanks for the authors.

I found this book to be very informative. This book describes many different music recording techniques and examples that will be very useful for future musicians, mixing engineers, producers, or anyone interested in music in general. I highly recommend this book because it will instill a great deal of knowledge for anyone interested in music.

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Saturday, December 12, 2015

Download PDF Transforming Museums in the Twenty-first Century (Heritage: Care-Preservation-Management)By Graham Black

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Transforming Museums in the Twenty-first Century (Heritage: Care-Preservation-Management)By Graham Black

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Transforming Museums in the Twenty-first Century (Heritage: Care-Preservation-Management)By Graham Black

In his book, Graham Black argues that museums must transform themselves if they are to remain relevant to 21st century audiences – and this root and branch change would be necessary whether or not museums faced a funding crisis. It is the result of the impact of new technologies and the rapid societal developments that we are all a part of, and applies not just to museums but to all arts bodies and to other agents of mass communication.

Through comment, practical examples and truly inspirational case studies, this book allows the reader to build a picture of the transformed 21st century museum in practice. Such a museum is focused on developing its audiences as regular users. It is committed to participation and collaboration. It brings together on-site, online and mobile provision and, through social media, builds meaningful relationships with its users. It is not restricted by its walls or opening hours, but reaches outwards in partnership with its communities and with other agencies, including schools. It is a haven for families learning together. And at its heart lies prolonged user engagement with collections, and the conversations and dialogues that these inspire.

The book is filled to the brim with practical examples. It features:

  • an introduction that focuses on the challenges that face museums in the 21st century
  • an analysis of population trends and their likely impact on museums
  • boxes showing ideas, models and planning suggestions to guide development
  • examples and case studies illustrating practice in both large and small museums
  • an up-to-date bibliography of landmark research, including numerous websites

Sitting alongside Graham Black’s previous book, The Engaging Museum, we now have a clear vision of a museum of the future that engages, stimulates and inspires the publics it serves, and plays an active role in promoting tolerance and understanding within and between communities.

  • Sales Rank: #1158524 in Books
  • Published on: 2012-02-11
  • Released on: 2011-12-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.65" h x .65" w x 6.89" l, 1.25 pounds
  • Binding: Paperback
  • 288 pages

Review

"This is a well-researched, detailed book that presents much food for thought for museum managers and staff." -- Collection Management, vol.30, no 4

About the Author

Graham Black is Reader in Public History and Heritage Management, at Nottingham Trent University. He is also a consultant Heritage Interpreter, and exhibitions on which he has acted as Interpretive Consultant have won the first UK £100,000 Museum Prize (2003) and been on the final shortlist for the Prize (2007), as well as winning its predecessor the Gulbenkian Prize, a Museum of the Year Award, the Special Judges Prize at the Interpret Britain Awards and the English Tourist Board’s "England for Excellence" Tourist Attraction of the Year Award. He is a Fellow of the Association for Heritage Interpretation (UK). He is the author of The Engaging Museum (Routledge, 2005).

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Wednesday, December 9, 2015

PDF Download Acoustics of Studios and Auditoria (Library of Image & Sound Technology)By V.S. Mankovsky

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Acoustics of Studios and Auditoria (Library of Image & Sound Technology)By V.S. Mankovsky

  • Sales Rank: #1299972 in Books
  • Published on: 1971-12-30
  • Ingredients: Example Ingredients
  • Original language: Russian
  • Number of items: 4
  • Binding: Hardcover
  • 396 pages

Language Notes
Text: English, Russian (translation)

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